Post by ZapRowsdower on Oct 2, 2005 17:35:15 GMT -5
A History of Violence (2005)
Viggo Mortensen, Maria Bello, Ed Harris, William Hurt
Written by Josh Olson, based on the graphic novel by Vince Locke and John Wagner
Directed by David Cronenberg
It's that time of year again. Studios are releasing movies they believe are worthy of being voted best picture. That's right, forget about Cinderella Man (a film that should have been released around this time but was instead lost in the summer shuffle), because these are the movies the Academy is going to be looking at. Keep an eye out for Brokeback Mountain, Memoirs of a Geisha, and A History of Violence -- these seem to be the major players this year. But enough about what the critics and analysts say. What do I think?
Personally, I found the movie to be very overrated. Notice, I didn't say it was a bad movie. Because it wasn't. What we're looking at is a really good story with really good acting, but a poorly written screenplay.
So much of a film's quality depends on the screenwriter's ability to write believable, realistic dialogue, which is an ability Josh Olson did not have. Before he began writing the script, he should have spent some time in high school, listening to how some of the students talked. I found any scene involving Tom Stall's son laughable and downright insulting (I graduated high school two years ago, high school is NOT like that). Most of the screenplay just seemed like a run-down vehicle to drive the fantastic story around in.
Still, what director David Cronenberg managed to build on that weak foundation was no mean feat. Silence of the Lambs this movie ain't, but damned if Cronenberg isn't good at using subtlety. Viggo Mortensen, Maria Bello and Ed Harris are surely Oscar contenders (although I seriously doubt any one of them will win), and I gotta give William Hurt some credit for actually having a personality in this movie, as opposed to his usual monotonous performances. Ashton Holmes, however, was a terrible casting choice. If a character's scenes are poorly written, the least they could do is cast someone who can deliver it they way it was intended to be delivered.
The story was intriguing, too. It was a very good psychological study... I can't really go too far into that without spoiling the movie, so I'll have to ask you to take my word for it. But if you can get past the lackluster screenplay (and we all loved Revenge of the Sith - that shouldn't be a problem) and pay attention to the story, you'll see that it is actually a work of genius.
I'll be reading the graphic novel as soon as I can get a hold of a copy.
I've learned to watch films from several perspectives, and I gotta say this isn't great on an objective level, but it is definitely good. Mortensen, Bello and Harris will definitely get the Academy's attention, and Cronenberg fans will love it. Still, I can assure you this isn't the best Oscar season has to offer, and I will not be surprised (or even disappointed, really) if this film gets lost in the shuffle.
It does, however, earn my seal of approval.
Premise
A case of mistaken identity... or is it? That and an excellent psychological study.
20/20
Acting
10/20
Mortensen, Bello and Harris do the best they can with the material they're given, but fail to elevate the screenplay's quality. Good enough for Oscar nominations, but that's about it. And any teenage character portrayed in the film was just God awful.
Screenplay - Josh Olson
4/20
Definitely this movie's biggest downfall.
Direction - David Cronenberg
20/20
Beautiful. The only word I can use to sum it all up.
Oscar predictions:
Nominations - Best Actor in a Leading Role (Viggo Mortensen), Best Actor in a Supporting Role (Ed Harris), Best Actress in a Supporting Role (Maria Bello), Best Director (David Cronenberg)
No wins.
67.5%
Viggo Mortensen, Maria Bello, Ed Harris, William Hurt
Written by Josh Olson, based on the graphic novel by Vince Locke and John Wagner
Directed by David Cronenberg
It's that time of year again. Studios are releasing movies they believe are worthy of being voted best picture. That's right, forget about Cinderella Man (a film that should have been released around this time but was instead lost in the summer shuffle), because these are the movies the Academy is going to be looking at. Keep an eye out for Brokeback Mountain, Memoirs of a Geisha, and A History of Violence -- these seem to be the major players this year. But enough about what the critics and analysts say. What do I think?
Personally, I found the movie to be very overrated. Notice, I didn't say it was a bad movie. Because it wasn't. What we're looking at is a really good story with really good acting, but a poorly written screenplay.
So much of a film's quality depends on the screenwriter's ability to write believable, realistic dialogue, which is an ability Josh Olson did not have. Before he began writing the script, he should have spent some time in high school, listening to how some of the students talked. I found any scene involving Tom Stall's son laughable and downright insulting (I graduated high school two years ago, high school is NOT like that). Most of the screenplay just seemed like a run-down vehicle to drive the fantastic story around in.
Still, what director David Cronenberg managed to build on that weak foundation was no mean feat. Silence of the Lambs this movie ain't, but damned if Cronenberg isn't good at using subtlety. Viggo Mortensen, Maria Bello and Ed Harris are surely Oscar contenders (although I seriously doubt any one of them will win), and I gotta give William Hurt some credit for actually having a personality in this movie, as opposed to his usual monotonous performances. Ashton Holmes, however, was a terrible casting choice. If a character's scenes are poorly written, the least they could do is cast someone who can deliver it they way it was intended to be delivered.
The story was intriguing, too. It was a very good psychological study... I can't really go too far into that without spoiling the movie, so I'll have to ask you to take my word for it. But if you can get past the lackluster screenplay (and we all loved Revenge of the Sith - that shouldn't be a problem) and pay attention to the story, you'll see that it is actually a work of genius.
I'll be reading the graphic novel as soon as I can get a hold of a copy.
I've learned to watch films from several perspectives, and I gotta say this isn't great on an objective level, but it is definitely good. Mortensen, Bello and Harris will definitely get the Academy's attention, and Cronenberg fans will love it. Still, I can assure you this isn't the best Oscar season has to offer, and I will not be surprised (or even disappointed, really) if this film gets lost in the shuffle.
It does, however, earn my seal of approval.
Premise
A case of mistaken identity... or is it? That and an excellent psychological study.
20/20
Acting
10/20
Mortensen, Bello and Harris do the best they can with the material they're given, but fail to elevate the screenplay's quality. Good enough for Oscar nominations, but that's about it. And any teenage character portrayed in the film was just God awful.
Screenplay - Josh Olson
4/20
Definitely this movie's biggest downfall.
Direction - David Cronenberg
20/20
Beautiful. The only word I can use to sum it all up.
Oscar predictions:
Nominations - Best Actor in a Leading Role (Viggo Mortensen), Best Actor in a Supporting Role (Ed Harris), Best Actress in a Supporting Role (Maria Bello), Best Director (David Cronenberg)
No wins.
67.5%