Post by ZapRowsdower on Jun 15, 2008 3:25:14 GMT -5
This movie certainly wasn't.
Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Starring: Mark Wahlberg, Zooey Deschanel, and John Leguizamo.
I defended M. Night Shyamalan through The Village (a poorly marketed masterpiece) and Lady in the Water (a very flawed but refreshingly original and ambitious project, with a great performance by Paul Giamatti). Watching this, my heart began to sink. I can't defend this. Aside from a couple of prominent shots that resonate because of their overall creepiness and a great, original concept... there's really nothing going for this picture.
The dialogue is shit. I mean, total, utter shit. The acting is not good, either. Mark Wahlberg and Zooey Deschanel were just... lifeless. The closest Wahlberg came to acting was that stupid face he'd make when got scared. Zooey really disappointed me here. I was left dumbfounded by just how bad her performance was. Think Shelley Duvall in The Shining. It's unclear whether that was their interpretation of their characters (which judging from their past performances I find difficult to believe) or if Shyamalan told them to act like that. But all I know was I was cringing through most of the dialogue. I don't often exaggerate, but the dialogue was just soul-crushingly bad. I mean, by comparison... the Star Wars prequels are fucking Shakespeare, and Jar Jar Binks is both Rosencrantz AND Guildenstern.
Here's what I think happened: Shyamalan made The Village. It was received poorly because of its misleading marketing campaign (because who would want to see a romanticized costume drama - unless it's being directed by the master of terror himself?). I'm sure this pissed Shyamalan off. Because I'm sure The Village was something he was proud of. And you know what? If I were him, I'd be proud of the Village too. It was really good. Next, he made Lady in the Water - and as revenge to his critics, he threw in a character who was, himself, a pretentious film critic. The writing was awkward, and there were a few cartoonish characters - the screenplay could have used a couple rewrites, and of course, Shyamalan pays shameless tribute to himself. Critics hated it. Now, that project had sentimental value to Shyamalan. So imperfect as it was, I'm sure it meant a lot to him. So he said "Fuck you guys. You want a bad movie? I'll give you a fucking bad movie." Alas, here comes The Happening.
I can almost picture it. "M. Night, this writing is really hard to work with. No one talks like that." "It's fine. Work with it." "But how?" "Look, Mark... What face would you make if you were scared? ...Okay. Now say that line while making that face. And whatever you do... I know it's hard for an Oscar-nominated thespian such as yourself... try not to act." You see what happens, critics? You see what happens when you're too hard on a guy? Just apologize for your harsh treatment of the Village, and find something nice to say about Lady in the Water (I know, that one's a little harder). Maybe then, we'll get the old Hitchcockian Shyamalan back.
Score: 3/10
Note: I don't really blame critics for how bad this movie was. Shyamalan should know better.
Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Starring: Mark Wahlberg, Zooey Deschanel, and John Leguizamo.
I defended M. Night Shyamalan through The Village (a poorly marketed masterpiece) and Lady in the Water (a very flawed but refreshingly original and ambitious project, with a great performance by Paul Giamatti). Watching this, my heart began to sink. I can't defend this. Aside from a couple of prominent shots that resonate because of their overall creepiness and a great, original concept... there's really nothing going for this picture.
The dialogue is shit. I mean, total, utter shit. The acting is not good, either. Mark Wahlberg and Zooey Deschanel were just... lifeless. The closest Wahlberg came to acting was that stupid face he'd make when got scared. Zooey really disappointed me here. I was left dumbfounded by just how bad her performance was. Think Shelley Duvall in The Shining. It's unclear whether that was their interpretation of their characters (which judging from their past performances I find difficult to believe) or if Shyamalan told them to act like that. But all I know was I was cringing through most of the dialogue. I don't often exaggerate, but the dialogue was just soul-crushingly bad. I mean, by comparison... the Star Wars prequels are fucking Shakespeare, and Jar Jar Binks is both Rosencrantz AND Guildenstern.
Here's what I think happened: Shyamalan made The Village. It was received poorly because of its misleading marketing campaign (because who would want to see a romanticized costume drama - unless it's being directed by the master of terror himself?). I'm sure this pissed Shyamalan off. Because I'm sure The Village was something he was proud of. And you know what? If I were him, I'd be proud of the Village too. It was really good. Next, he made Lady in the Water - and as revenge to his critics, he threw in a character who was, himself, a pretentious film critic. The writing was awkward, and there were a few cartoonish characters - the screenplay could have used a couple rewrites, and of course, Shyamalan pays shameless tribute to himself. Critics hated it. Now, that project had sentimental value to Shyamalan. So imperfect as it was, I'm sure it meant a lot to him. So he said "Fuck you guys. You want a bad movie? I'll give you a fucking bad movie." Alas, here comes The Happening.
I can almost picture it. "M. Night, this writing is really hard to work with. No one talks like that." "It's fine. Work with it." "But how?" "Look, Mark... What face would you make if you were scared? ...Okay. Now say that line while making that face. And whatever you do... I know it's hard for an Oscar-nominated thespian such as yourself... try not to act." You see what happens, critics? You see what happens when you're too hard on a guy? Just apologize for your harsh treatment of the Village, and find something nice to say about Lady in the Water (I know, that one's a little harder). Maybe then, we'll get the old Hitchcockian Shyamalan back.
Score: 3/10
Note: I don't really blame critics for how bad this movie was. Shyamalan should know better.