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Post by LivingDeadGirl on Feb 12, 2008 18:03:02 GMT -5
I didn't know he died until my mom said something about it yesterday...also didn't know he was here in AR at UAMS. RIP!
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Post by ZapRowsdower on Mar 18, 2008 12:22:25 GMT -5
Director Anthony Minghella Dies at 54
From IMDb.com:
Director Anthony Minghella, who won an Academy Award for directing the 1996 epic The English Patient, has died at age 54, his agent announced today. Variety reports that a spokesman for Mr. Minghella said he suffered a brain hemorrhage on Tuesday morning at Charing Cross Hospital in London, while in for a routine neck operation. A director who worked in theater and television (most notably for the series Inspector Morse and the lush, haunting The Storyteller series), Minghella made his feature film directorial debut with the ghost story/romance Truly, Madly, Deeply, which starred Juliet Stevenson and Alan Rickman. The film won Minghella a BAFTA award for his screenplay and effectively launched his film career. The little-seen indie romance Mr. Wonderful followed in 1993, but it was three years later that Minghella had his biggest success with The English Patient, an adaptation of the novel by Michael Ondaatje. Aggressively marketed by Miramax and arriving near the height of the independent film movement (though the film, with its epic scope, pushed the definition of indie filmmaking), the film became a surprise success, ultimately taking in $78 million in the US and winning a whopping nine Academy Awards, including Best Picture as well as Director and Adapted Screenplay for Minghella. Three of the film's stars, Ralph Fiennes, Kristin Scott-Thomas and Juliette Binoche, were Oscar-nominated, with Binoche taking home the Best Supporting Actress award in a shocking upset over Hollywood legend Lauren Bacall.
Minghella followed up that success in 1999 with the moody thriller The Talented Mr, Ripley, another book-to-film adaptation based on the novel by Patricia Highsmith. Though the film starred high-profile actors Matt Damon and Gwyneth Paltrow, it was the then little-known Jude Law who walked away with the film with his role as a callow, rich playboy. The film earned Law a Best Supporting Actor nomination and Minghella another Adapted Screenplay nod. Minghella tried to replicate his successful literary adaptation formula with Cold Mountain, a high-profile version of the bestselling Civil War novel that, ironically, was filmed partly in Romania. Despite another big (and some said, overly aggressive) push by Miramax and a cast that included Nicole Kidman, Jude Law, Renee Zellweger, Natalie Portman and Philip Seymour Hoffman, the movie was considered a major under-performer, though it did earn $95 million in the US alone and a Best Supporting Actress Oscar for Zellweger. Major nominations for Best Picture or Director, however, failed to materialize. Minghella worked on a smaller scale with the London-based drama Breaking and Entering, which reteamed him with both Law and Binoche, and had just completed filming on The No. 1 Ladies Detective Agency, the pilot for a TV series based on the novel by Alexander McCall Smith. Beginning in 2000, Minghella also became a producer, with credits including The Quiet American, The Interpreter, and the recent Oscar winner Michael Clayton. In 2005, Minghella also staged an acclaimed version of the opera Madame Butterfly, which played at the English National Opera and the Metropolitan Opera.
Minghella is survived by his parents, his siblings in the entertainment industry Dominic Minghella and Edana Minghella, two other sisters, his wife, choreographer Carolyn Choa, and two children, Max Minghella and Hannah Minghella.
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Post by frankenjohn on Mar 18, 2008 15:00:42 GMT -5
Wow. Didn't see that one coming at all. He does leave behind him a great body of work though, especially The English Patient. R.I.P.
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Post by Pulpmariachi on Mar 18, 2008 20:59:04 GMT -5
RIP to him AND to Arthur C. Clark as well. You know, he did only help write "2001".
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Post by Heineken Skywalker on Mar 18, 2008 21:44:52 GMT -5
R.I.P. to both.
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Post by slayrrr666 on Mar 19, 2008 10:04:12 GMT -5
Indeed, RIP to both.
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Post by Quorthon on Mar 19, 2008 14:04:15 GMT -5
RIP to him AND to Arthur C. Clark as well. You know, he did only help write "2001". Oh man, Arthur C. Clark died? What the hell? That sucks. I think he was the last of the "classic" science fiction authors.
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Post by frankenjohn on Mar 20, 2008 16:12:09 GMT -5
Oscar-winning actor Paul Scofield died also yesterday at the age of 86 to lukemia. He won his Oscar for the classic film "A Man For All Seasons." R.I.P.
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Post by Pulpmariachi on Mar 21, 2008 17:13:05 GMT -5
RIP to Scofield, too.
But Q., I believe Ray Bradbury's still alive?
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Post by Quorthon on Mar 25, 2008 14:28:45 GMT -5
RIP to Scofield, too. But Q., I believe Ray Bradbury's still alive? Oh that's right. I forgot that he tried to sue that bloated windbag Michael Moore for copyright infringement from Farenheit 451. My bad. I have to admit, though, I'm bad at actually enjoying these guys' works firsthand. I've only read one of Clarke's books: Hammer of God, I believe.
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Post by ZapRowsdower on Apr 6, 2008 2:06:01 GMT -5
Charlton Heston, the square-jawed movie star who won an Oscar for his portrayal of Ben-Hur and was famed for a number of other epic films, died Saturday night at the age of 84. Though an official cause of death was not initially released, the actor had announced in 2002 that he was battling Alzheimer's disease, and had withdrawn from professional appearances after the diagnosis. An actor at first well-known for his portrayal of historical figures -- in addition to his role as Ben-Hur, he also played Michelangelo, El Cid, Moses, and John the Baptist -- Heston's fame later in life was higlighted by his polarizing views on gun control, as the actor was elected president of the National Rifle Association in 1998 and vigorously defended the rights of gun owners throughout the country. That role, which he left in 2003, almost overshadowed the length of his impressive acting career, which started in theater and television before graduating to the silver screen.
Born in Evanston, IL, Heston was the son of a mill owner who found his life's ambition in acting and found his first big breaks on the Broadway stage and in the nascent medium of television. He made his debut in the 1950 film noir thriller Dark City, and within two years headlined (alongside established stars Betty Hutton and Cornel Wilde) the 1952 Best Picture Oscar winner, The Greatest Show on Earth, directed by Cecil B. DeMille. Though he continued to work in a number of lower-profile films, including Ruby Gentry and The Naked Jungle, it was DeMille who in 1956 gave the actor one of his most iconic roles, that of Moses in the Biblical epic The Ten Commandments, a sweeping, captivating, over-the-top film that pioneered cinematic special effects with its parting of the Red Sea, and in its depiction of the turbulent political lives and love lives of its stars -- Heston, Yul Brynner as the Pharoah and Anne Baxter as the woman torn between them -- became the quintessential studio epic of its time, favored as much for its close-to-camp emotional broadness as well as its impressive scale. Heston did a 180-degree turnaround from that statuesque role with 1958's Touch of Evil, the Orson Welles thriller that remains a classic to this day in which he played a Mexican narcotics officer drawn into a lurid drug ring. Heston won his Best Actor Oscar in 1959 for another lavish, larger-than-life historical epic, Ben-Hur, which with its famed chariot race and story set against the backdrop of ancient Rome won a record 11 Academy Awards, a feat not equalled until Titanic's similar win in 1997.
After Ben-Hur, Heston's status as a star was firmly cemented, and throughout the 1960s roles in such films as El Cid, 55 Days at Peking, The Greatest Story Ever Told (where he played John the Baptist), The Agony and the Ecstasy (his Michelangelo going up against Rex Harrison's Pope Julius II), and Khartoum followed. He found another legendary screen character in 1968's Planet of the Apes, as an astronaut who finds himself on a futuristic Earth now populated by evolved simians who have enslaved the human race. As with his other roles, Heston perfectly balanced the camp aspects of the story with a gravitas that helped ground the sci-fi thriller with a modern-day resonance that helped audiences identify with the hero's plight. (Heston briefly reprised his role in the sequel Beneath the Planet of the Apes). The 1970s saw the actor again in futuristic roles in The Omega Man (based on the same story as last year's I Am Legend) and Soylent Green, as well as the disaster epics Airport 1975 and Earthquake. Heston's later film career was made up primarily of thrillers (Gray Lady Down, Two-Minute Warning, The Awakening), television appearances (most notably in Dynasty and its spinoff, The Colbys), and cameos in a variety of high-profile films (Wayne's World 2, Tombstone, True Lies, Hamlet, Any Given Sunday, and the remake of Planet of the Apes, among others). By 1978, Heston had received the Jean Hersholt Humanitarian Award, the Cecil B. DeMille Award from the Hollywood Foreign Press Association, and a lifetime achievement award from the Screen Actors Guild; on the down side, he also regrettably won a Razzie award in 2002 for his supporting performances in Cats & Dogs and Town and Country.
Heston's film career became overshadowed by his political alliances in the 1980s and onward, as the former president of the Screen Actors Guild and onetime chairman of the American Film Institute championed conservative causes and campaigned aggressively against gun control, becoming president of the National Rifle Association in 1998 and speaking out against then-President Bill Clinton on the subject. Becoming yet another icon, Heston found himself revered and reviled by supporters on both sides of the issue and became the surprising center of a highly emotional culture war, and used his fame to speak out in favor of a number of conservative issues (he changed his political stance from Democrat to Republican in the late 1980s). His career as gun-control opponent reached an apotheosis with his appearance in Michael Moore's 2002 Oscar-winning Bowling for Columbine, where he refused to answer Moore's questions regarding the Columbine High School shootings. A year later, Heston received the Presidential Medal of Freedom and had officially disclosed that he was battling Alzheimer's; he consequently withdrew from public life.
Heston is survived by his wife Lydia Clarke, to whom he was married 64 years, and their two children, Fraser Clarke Heston and Holly Heston Rochell. --Mark Englehart, IMDb staff
R.I.P., Mr. Heston.
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Post by frankenjohn on Apr 6, 2008 7:06:34 GMT -5
Just heard, RIP indeed. Great career.
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Post by Pulpmariachi on Apr 6, 2008 7:46:56 GMT -5
I didn't like him: he was just another Ronald Regan. But RIP anyway.
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Post by slayrrr666 on Apr 6, 2008 10:02:29 GMT -5
RIP, Mr. Heston.
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Post by Heineken Skywalker on Apr 6, 2008 11:03:47 GMT -5
Planet of the Apes was always one of my favorites. While others might remember Heston's classic line in The Ten Commandments, "Let my people go!", I'll always remember him more for, "Take your stinkin' paws off me, you damn dirty apes!".
RIP, indeed.
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